This Nuke compositing project involved inserting the man in the black T-shirt into a scene from It's Always Sunny in Philadelphia. Using tracking, rotoscoping, and color matching, I integrated the separately filmed subject into the shot to create a seamless composite.
This Nuke compositing project involved inserting the man in the armchair into a scene from Citizen Kane. Using tracking, rotoscoping, and color matching, I integrated the separately filmed subject into the shot to create a seamless composite.